France (b. 1951)
The oeuvre of A.C.M. is of an architectural nature, composed of materials that signal a scratched and dense aesthetic, eaten away by time. His miniaturized assemblages – built with typewriter parts, electronic circuitry and plaster – form complex, dusty and fragile universes that appear to fold up on themselves. His work is represented in several private (Museum of Everything; abcd) and public (Musée d'art moderne, d'art contemporain et d'art brut Lille-Metropole) collections.